Textiles of Africa
Heritage/Nigeria/Akwete
Nigeria — Weaving

Akwete

Akwete (Igbo)

Origin
Akwete cloth is a hand-woven textile of the Igbo, named for the town of Akwete in Abia State, south-eastern Nigeria. Its origins are unclear: it may be Portuguese-inspired, may owe its structures to a weaver named Dada Nwakata (a story the scholar Colleen Kriger calls a cliché), or both. It began appearing in European museums in the 1880s and 1890s, and gained wide trade when Abia State became a centre of the palm oil and kernel trade.
Primary material
cotton
Technique family
Weaving
Typical process time
Weeks, depending on the complexity of the design
Peoples
Igbo, Ndoki
Preservation status
Actively practiced today
Availability
Limited availability
Who makes it
Traditionally women, who start learning young and work upright frame looms; men use horizontal looms in the wider region.

Traditionally worn for

CeremoniesEveryday wear

Motif symbolism

  • Tortoise— cunning and wisdom

Origins & history

Akwete cloth takes its name from a town in Abia State, in the Ndoki area of south-eastern Nigeria. Its age is disputed. A community tradition holds that the craft is as old as the Igbo themselves, but that is a tradition, not a documented date. Historians have linked the development of its designs to outside influence, and one account places the key period in the mid-to-late 19th century, when Akwete weavers responded to demand from their Ijo neighbours in the Niger Delta with new techniques and innovative patterns.

The best-known story credits a woman named Dada Nwakata, who is said to have unravelled a Portuguese cloth and copied its weave structures. The historian Colleen Kriger, author of Cloth in West African History, treats the story as a stereotype, noting that it is unlikely any woman worked alone. We include it as folklore. What is better documented is the trade: in the 19th century Abia State was a centre of the palm oil and kernel trade, and the cloth travelled with it. It reached European museums in the 1880s and 1890s, and a 1963 exhibition at the Textile Museum in Washington, D.C. brought it wider attention.

The Loom and the Weavers

Akwete weaving is traditionally women's work. Girls begin as soon as their arms are long enough to reach the loom, and the community describes weaving as a gift one is born with. Women use the upright frame loom, which allows a continuous warp, unlike many Nigerian traditions that rely on horizontal looms. Cloths are mostly cotton, and complex ones take weeks. A recent study notes that fewer women now practise the craft because of its technical demands.

Patterns

Pattern types named in the sources include etirieti (plain, mostly stripes and squares), akpukpa (very vibrant), ahia (complex, with patterning governed by the number of heddles) and ogbanaonweya (intricate, used mostly within the Akwete community). Modern designs depict domestic animals, ritual objects and national emblems. The tortoise is read as a symbol of cunning and wisdom and was once used by members of the royal family.

Use

Akwete cloths are worn in pairs, one around the waist and another under the arms, or as one wide cloth worn as a dress. Traditionally they appear at masquerades and at major occasions such as weddings, chieftaincy ceremonies and burials. Lighter cotton versions are worn casually.

Buying Notes

  • Ask whether the cloth was woven in Akwete or Ukwa East and by whom.
  • Ask how many heddles were used and how long the cloth took: complex patterns require more.
  • Be cautious of "Akwete-style" printed fabrics, which imitate the look without the weave.

Sources

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